I spent a good part of yesterday in the backyard playing with Procion MX dye again. Now a true scientist would follow precise directions, document procedures and analyze results. Me, I just plunged my rubber-gloved hands into the dyepot and let things happen. And I have learned a lot.
For instance, a really tall person like me (five feet and three-quarters inch tall) will find it easier to work with the dyepots on a table instead of on the ground. Two plastic sawhorses and a piece of plywood that had served as the base of a model of the Jamestown settlement twenty years ago can make a fabulous table. Oops! I neglected to cover the wood with plastic (step 1 in the dyeing directions) so the wood got quite wet.
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The entire process went much faster this time. I had a better idea of how to arrange the equipment and materials for greater efficiency. And I had a brilliant idea of how to rinse out the large pieces of fabric. I hung them on the clothesline and sprayed them with the hose. Brilliant! Extremely brilliant!
I dyed a cotton damask tablecloth and a small linen napkin a golden yellow. I started with lemon yellow, but it was too greenish yellow for me. So I added some fuchsia. And a little more fuchsia. Hmmm... It looked somewhat orange, and I am not an orange person. I started to re-think the orange situation. Maybe I was an orange person after all. But after the fabric dried, it was more of a golden yellow edging toward appricot. I'll put that orange stuff aside for now. In my previous dyeing experiments, I cut the tablecloth into pieces so it would move more easily in the dyepot for more even color. This time I did not, and the tablecloth has more of a mottled, hand-dyed effect. I think it will make an interesting jacket. Note that the napkin is a slightly different color.
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The other fabric I dyed was some cotton, mid-wale corduroy. I used lilac with a little midnight blue. I thought the lilac might be too light for me. Since there were two yards of this relatively thick fabric, I did cut this into four shorter lengths that would fit the pattern pieces of a jeans jacket. I think I should have used a larger container for a more even effect. One piece must of been stuck on the bottom of the pot. But the distressed look will be well suited to the pattern.
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The piece that got stuck on the bottom of the dyepot has quite a few spots of undissolved dye. I don't know whether the magenta spots came from the lilac or the midnight blue. Next time I'll pour the dissolved dye through a coffee filter to reduce that effect. But, it is the distressed look.
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Other important info gathered during the dyeing process:
1. If one wears jeans, one does not get varicose vein-like dye drips on one's legs.
2. Mosquito repellent does not keep the bees away.
3. A real ayrtiste would sacrifice a Rubbermaid tote to serve as a dyepot.
2 comments:
these turned out great, Marty! Isn't there some kind of something you are supposed to add to the dye mixture to make it dye more evenly? I can't rmemeber what it's called, it's been so long since I dyed fabric. either way, very very cool.
Pam,
There are various additional things you can add to the dye. Calsolene oil and urea might help. But I don't have those and I'm resisting paying more in shipping costs than in product costs. I'd admit to being cheap, but I'm really only using my resources wisely.
I think the main issue is operator idiosyncrasy. (Not operator error.) I need to dissolve the dye powder better and stir the pot more thoroughly. Or maybe it's just a design feature.
Marty S
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